Scene Four
Outside. The soldiers are on guard again.
Soldiers' Gossip |
Torasso |
Forty
days - ! |
|
Lombardi |
Where
does he get all the luck? |
|
Torasso |
Forty
days -! |
|
Rizzolli |
The
man is sick |
|
Torasso |
But
forty days - ! |
|
Barri |
Yes,
he's sick of being stuck in the sticks. |
|
Augenti |
Who
isn't? |
|
Torasso |
In
Milan - ! |
|
Lombardi |
He's
gone
Because it's gone a little thick with the Signora. |
|
Rizzolli |
Gentlemen
- |
|
Augenti |
He'd
better get out quick from the Signora. |
|
Rizzolli |
Gentlemen
- |
|
Barri |
That's
not an easy trick with the Signora. |
|
Rizzolli |
Gentlemen!
You know what I think? |
|
Others |
What? |
|
Rizzolli |
I
think we need a drink! |
|
Lombardi |
I'll
say. |
|
Rizzolli |
I'll
say! |
|
All |
I'll
say!
I'll say!
I'll say! |
|
Scene
Five
A train compartment. Clara strolls through. Forty
Days |
Clara |
Giorgio,
darling,
Forty days' leave so soon!
Imagine that, a whole forty days -
Well, forty marinees.
I'll be there to greet the train
That carried you away from me
Because it brings you home. |
|
(Giorgio
enters slowly. He has a blanket around him and carries a suitcase
as he moves towards the train compartment where he sits) |
| I'm
filling up the room, our secret room
With every flower in bloom.
I'll have the fire lit, the table set,
I'll wear the blue chemise. And
once we're in our room, our secret room,
Where I'll be able to care for you,
Kiss you, embrace you,
Be there for you ... |
|
(She
exits. The train whistle blows and, just as the train start to move,
Fosca enters, carrying a small suitcase) |
Giorgio |
How
could you? How dare you follow me? |
|
Fosca |
I've
come to speak to you. . |
Giorgio |
I
am sick, don't you understand? and you are the reason I'm sick.
|
Fosca |
I
apologize. Nothing could be further from what I wished for you.
That is why I want to follow you to Milan. To see that you are well. |
Giorgio |
That
is the reasoning of a capricious child. You can't do this. |
|
Fosca |
I
heard what you said, Giorgio. I've come to tell you that I will
keep my distance. I will stay out of your path. But I can be nearby,
I can be there quietly waiting. |
|
Giorgio |
And
this you think will make me love you? |
Fosca |
No,
no. I am doing this because I love you. |
Giorgio |
My
heart feels nothing for you. How many times must you hear this? |
Fosca |
This
has nothing to do with your heart. This has to do with your eyes.
What you see. If I were beautiful. If I were warm and soft to your
touch - you would feel otherwise. |
|
Giorgio
(firm) |
No.
Your appearance is no excuse for the way you behave. My feelings
towards you are because of your relentlessness, your constant selfishness
and insensitivity. |
|
Fosca |
I'm
sorry. No one has ever taught me how to love. I know I feel too
much, Giorgio. I often don't know what to do with my feelings. You
understand that, don't you? |
|
Giorgio |
(slowly,
pleading) Fosca, you have to face the truth. Please. You have
to give me up. |
|
Loving You |
Fosca |
Loving
you is not a choice,
It's who I am. Loving
you is not a choice
And not much reason to rejoice,
But it gives me purpose
Gives me voice to say to the world:
This is why I live
You are why I live. Loving
you is why I do
The things I do
Loving you is not in my control.
But loving you, I have a goal
For what's left of my life ... I
would live,
And I would die for you.
(As music continues under) |
|
Giorgio |
Die
for me? What kind of love is that? |
|
Fosca |
The
truest love. Would Clara give her life for you? Would she? I would.
Happily. In time you will come to see what is beautiful about me.
Do you wish me to move to another compartment? |
|
Giorgio |
We're
getting off at the next stop and I'm taking you back..
(getting up)
You're freezing. Cover yourself up..
(He wraps his blanket around her)
Do you want to get sickerI? |
|
Fosca |
(staring
out the window)
The moonlight makes even this landscape look lovely. Look over there.
There seem to be faces in those rocks. They're smiling back at us. |
|
Scene Six
The Milan train station.
Transition |
Woman |
How
long were we apart? |
|
Man |
A
month, a week, a day? |
|
Woman |
To
feel your touch again |
|
Man |
You've
been away |
|
Doctor |
Don't
be offended if I'm amused Captain, but all this is quite bizarre,
really. She led you back like a lamb. |
|
Giorgio |
You
know her, and you know there is no way I could have acted differently |
|
Doctor |
You
needn't worry. No one knows of her exploits. |
|
Giorgio |
I
suppose I should be relieved, though in truth it matters little
to me. And who told her I was leaving? |
|
Doctor |
I
hardly thought it was a secret. |
|
Giorgio |
What
is it you want, Doctor? |
|
Doctor |
I
don't know what you mean. |
|
Giorgio |
You
know what I mean. Why did you bring this woman into my life? |
|
Doctor |
Perhaps
to get her out of mine. If only for a while. I thought it would
help her. I thought it might bring her some small degree of happiness...
I had no intention for it to turn to this, Captain. Honestly, I
didn't. I apologize. She tells me that you're going to Milan,m but
for only four days. I assume that is just a pretext and that you
won't be coming back? |
|
Giorgio |
I
don't want to be away from my duties that long. Excuse me, I have
things to do. |
|
Doctor |
Captain
Bachetti, you forget that I am your superior. You can't decide to
forgo a sick leave. Has Signora Fosca brought you to this point? |
|
Giorgio |
Absolutely
not. This is my decision. |
|
Doctor |
Don't
you see what she is doing to you? To your mental state? I may have
helped bring this woman into your life but I can also get you away
from her. For your own good. I can see to it that you are transferred
permanently. If I send a dispatch to headquarters, you'll be ordered
to leave. |
|
Giorgio |
I
don't want to be transferred. |
|
Doctor |
Why
are you behaving this way? |
|
Giorgio |
I
feel it is my duty to help her. |
|
Doctor |
Don't
you understand, Captain? No one can help her. Good day. |
|
(Clara
and Giorgio stroll from the train station to a bench nearby; music
under.)
Railway Sequence |
Clara |
Giorgio,
I didn't tell you in my letter
Something even better,
A surprise here at home:
In a week my husband goes to Rome.
It's the first time he's away,
He'll be gone at least a day,
Maybe two or even three. I
can visit you at night,
We'll be lighted by the moon,
Not a shuttered afternoon. Just
think of having time
That we can call our own,
Together and alone. Perhaps
we'll take a drive into the country,
And perhaps at last we'll share a sunrise
Wouldn't that be beautiful - ? |
|
Giorgio |
Clara,
I'm not taking my sick leave. |
|
Clara |
What
do you mean? |
Giorgio |
I'm
only staying four days. |
Clara |
It's
that woman, isn't it? |
Giorgio |
There
are many reasons - |
Clara |
No!
You constantly write to me about her. You always speak of her when
we're together. Giorgio, she's always on your mind! Do you love
her? |
Giorgio |
Don't
be ridiculous! |
|
Clara |
I
hate this woman and I don't even know her. |
|
Giorgio |
There
are times when I hate her, too. |
|
Clara |
Then
why do you sacrifice yourself on her behalf? |
|
Giorgio |
I
don't know. Clara, please don't be angry . This woman has no friends.
No one to talk to. I know the power I have over herw. I didn't ask
for this power - she bestowed it upon me. but somehow it carries
responsibilities I can't seem to ignore. |
|
Clara |
She
needs you. |
|
Giorgio |
Don't
you need me, too? |
|
Clara |
Of
course I do, Giorgio. But not like this woman. |
Giorgio |
Leave
your husband |
Clara |
What? |
Giorgio |
Let's
have a life together |
Clara |
Giorgio,
you know that's not possible. |
Giorgio |
Everything
is possible. |
Clara |
I
would lose my child. |
Giorgio |
And
what if you were to lose me? |
Clara |
I
don't want to lose you, Giorgio. You knew my situation. |
Giorgio |
Let's
run away together. We could take your child - |
Clara |
You're
not thinking clearly. You're not yourself. |
|
Giorgio |
I
am myself. |
|
Clara |
Where
would we go? How would we live? |
|
Giorgio |
We
would manage. |
|
Clara |
Giorgio,
we are not two people who could ever just "manage". We have to carve
out a life for ourselves around our present obligations. We have
no choice. |
|
Giorgio |
We
have a choice. |
Clara |
Yes,
I suppose that's true Giorgio. Just as you have chosen to forgo
your sick leave. I've often wondered if you would love me as much
if I were free. |
Giorgio |
I
would. You know I would. I love you. |
|
Clara |
And
I love you. |
|
Clara |
You're
not coming back, are you? |
|
Giorgio |
I'll
be back.Clara, I'll be back. Let's stop this talk. Let's enjoy our
four days together. |
|