(As
we segue to the next scene, Clara enters in a robe, her hair down)
Scene Two
The mountainside, a distance from the outpost.
Sunrise
Letter |
Clara |
Giorgio,
I stand here staring at the sunrise,
Thinking how we've never seen a
Sunrise together
Thinking that the sunrise
Only means another day without you,
And thinking:
Can our love survive so much separation,
Keep itself alive, much less thrive? If
only you were here,
If I could feel your touch,
I wouldn't have such fear.
If only we had more than letters
Holding us together,
If we just could hold each other now,
The sunrise then could be
A thing that I could see
And merely think, "How beautiful ..." |
|
Clara,
Giorgio |
Giorgio,
I now sit staring at the mirror -
You may not believe it, but I swear
As I stare there it is plain as day:
A gray hair,
Of which I was unaware,
Which is more than I can bear,
Which I'm ripping out right now
And am sending on to you
As a milestone of my age,
As a turning of the page ... Perhaps
when next we meet,
I'll be a sorry sight,
You won't know who I am,
My hair completely white,
My face a mass of wrinkles.
What will you feel then, my Giorgio? |
|
Giorgio |
Time
is now our enemy ... (Unsteadily,
Fosca has entered and made her way towards Giorgio; Clara exits) |
|
Fosca |
You
came a great distance to read her letters. Are you running away
from me? |
|
Giorgio |
There
are times when I wish to be alone. |
Fosca |
I
know that I offend you. |
Giorgio |
No,
I won't have this conversation. |
Fosca |
And
what kind of conversation would you prefer, Captain? Something innocuous?
Do you wish to discuss your troops? Or should we should talk about
the weather? It feels like rain, don't you think? |
Giorgio |
I
think you can be incredibly difficult. |
|
Fosca |
I
didn't come here to be difficult. I came here to share your company.
(He notices blood on her hands) |
|
Giorgio |
What's
happened to your hands? |
|
Fosca |
(looking
at them blankly) I must have fallen. |
|
Giorgio |
(attending
to her hands)
You have no business being out here. |
|
Fosca |
Do
you want me dead? |
|
Giorgio |
Fosca,
don't be so unfair! |
|
Fosca |
You're
right. I am unfair. I want to free you from my affection. I know
what I am doing to you.
(There is a long, painful moment of silence)
Why is it that the daisies and violets blossom now? |
|
Giorgio |
They
mistake Autumn's warmth for April. |
|
Fosca |
What
is that bird that sings? |
|
Giorgio |
A
wren. |
|
Fosca |
What
does it look like? |
|
Giorgio |
Small
and grey. I believe it's the smallest of birds. |
|
Fosca |
You
know so much. (pause)
Kiss me. I know I shouldn't ask such a thing. A woman shouldn't
have followed a man here. Well, given my appearance, I don't behave
as other women do. And so I ask you for a kiss. |
|
|
|
|
Fosca |
Then
I will kiss you. |
|
Is
This What You Call Love ? |
Giorgio |
Is
this what you call love?
This endless and insatiable
Smothering pursuit of me.
You think that this is love? I'm
sorry that you're lonely,
I'm sorry that you want me as you do.
I'm sorry that I fail to feel
The way you want me to feel. |
|
I'm
sorry that you're ill,
I'm sorry you're in pain.
I'm sorry that you aren't beautiful. But
yes, I wish you'd go away
And leave me alone! |
|
Everywhere
I turn, there you are
This is not love
Just some kind of obsession. Will
you never learn when too far is too far,
Have you no concern
For what I want, what I feel?
|
|
Love
is what you earn and return
When you care for another
So much that the other's set free.
Don't you see?
Can't you understand? Love's
not a constant demand,
It's a gift you bestow
Love isn't sudden surrender
It's tender and slow, it must grow. |
|
Yet
everywhere I go,
You appear or I know you are near
This is now love just a need for possession. Call
it what you will
This is not love, this is a reverse
Like a curse, something out of control
I've begun to fear
For my soul ... |
|
(Music
stops; a loud clap of thunder is heard. Trembling, Fosca sudders
momentarily and crumples to the ground. Giorgio turns and sees her
lying there; he crosses the stage past her and begins to exit. He
stops, pauses for a moment, then reluctantly returns to her, covering
her with his coat. He picks her up and carries her offstage as the
lights fade to black.)
Scene Three
Outside. The soldiers are on guard.
Soldiers' Gossip |
Torasso |
Both
of them were soaked to the skin. |
|
Rizzolli |
Where
had they been? |
|
Augenti |
On
the bluff. |
|
Lombardi |
Were
they all alone? |
|
Torasso |
No
one knows. |
|
Lombardi |
You
don't suppose -? |
|
Barri |
Ugh! |
|
Rizzolli |
Gentlemen,
enough! |
|
Torasso |
Still,
it would explain Signora's attitude - |
|
Augenti |
Why
she comes to every meal. |
|
Barri |
It
isn't for the veal. |
|
Torasso |
And
it would explain the Colonel's gratitude. |
|
Lombardi |
I
hear he calls him "Giorgio" - |
|
Rizzolli |
But
nobody is that brave. |
|
Augenti |
No,
that's cheek. |
|
Rizzolli |
Nobody
is that brave. |
|
Lombardi |
Wouldn't
you like to peek? |
|
Torasso |
Ugh! |
|
Barri |
Gentlemen,
I think I'll change my wager:
He'll be major next week. |
|
Rizzolli |
I'll
say! |
|
All |
I'll
say!
I'll say! |
|
(A
bed is rolled onstage. At first we can't quite make out who's in
it: we see a clack-caped form writhing as the bed spins. The black
figure lifts up: it is Fosca atop Giorgio, who struggles beneath;
the Soldiers and Attendants surround this action)
Nightmare |
Group
1 |
Everywhere
I turn |
|
Group
2 |
Everywhere
I turn |
Group
1 |
There
you are. |
Group
2 |
There
you are. |
Groups
1&2 |
This
is not love, just some kind of obsession. |
Group
1 |
Everywhere
I go, |
|
Group
2 |
Everywhere
I go, |
|
Groups
1&2 |
You
appear,
Or I know you are near. |
|
Group
2 |
You
are near. |
Groups
1&2 |
You
are near. |
Giorgio |
Let
go of me! Please! |
Groups
1&2 |
Love,
Love's not a constant demand.
It's a gift you bestow.
Love isn't sudden -
It's tender and slow ... |
Group
1 |
Tender
and slow ...
Tender and slow ... |
Group
2 |
Sudden
surrender ...
Sudden surrender ... |
(All
exit including Fosca, who disappears into the shadows as the Doctor
appears; we are now in Giorgio's bedroom. The Doctor wakes him.) |
Doctor |
It's
all right. Calm down. It was only a dream. |
|
Giorgio |
I
feel so warm. |
Doctor |
You
became ill after carrying Signora Fosca back in the rain. |
Giorgio |
When
was that? |
Doctor |
Two
days ago.
(He put his hand to Giorgio's head.)
You still have a fever, but it seems to be lower. My boy, you will
recover from this illness, but it will take some time. You might
as well enjoy it away from here. I am putting you on sick leave. |
|
Giorgio |
Sick
leave? |
Doctor |
.
This is a dreary place. It can get to us all. As soon as you are
well enough, you will depart for Milan. |
|
Giorgio
|
Milan
... |
|
Doctor |
Don't
look so sad, my boy. I trust there is someone there who can oversee
your recuperation. |