 |
 |
 |
"I developed a signature movement, a kind of physical vocabulary
for the louts, with their heads bobbing and through the show, you
can see the development of these movements, starting with "Sensation".
- Wayne Cilento, Choreographer |
 |
 |
 |
The
louts didn't exist at all until we thought them up for the musical,
and I think they've become critical to the story. They actually grow
up with Tommy, and he, in a sense, becomes one of them. Ironically,
although they abuse him, it's through this interaction that a kind
of love for him comes about. Finally, as his security guards, they
protect him. The louts turned into six wonderful through-line characters,
and I'm very fond of them.
- Des McAnuff |
| |
 |
Back
to Tommy Main |
|
|
